Dave Ball, one half of the groundbreaking 1980s electronic music band Soft Cell, has passed away at the age of 66.
Alongside vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.
He subsequently formed the innovative techno group The Grid, who achieved chart success with 1994's Swamp Thing.
Ball died peacefully in his rest at his residence in London on Wednesday 22 October, only a short time after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.
During that show, Ball appeared in a wheelchair, as he had for the last two years, after a period of health issues.
"I managed to damage myself quite a bit," he commented in 2023. "I broke lower vertebrae in my back and cracked about multiple ribs and broke my arm."
Following catching a lung infection and suffering from blood poisoning, he was put in an induced coma and stayed in the hospital for seven months.
However, he had been in "high spirits mentally" during the warmer months, as he worked on a new album with Almond, called Danceteria, which is scheduled for release in the coming year.
"He was concentrated and very pleased with the new album that we literally finished only a few days ago," stated the vocalist in a heartfelt message.
"It's so sad as 2026 was completely planned to be such an positive time for him, and I take some solace from the fact that he listened to the finished record and felt that it was a masterpiece."
Almond referred to his bandmate as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.
"Thank you Dave for being an significant part of my life and for the music you created with me. I couldn't be where I am without your influence."
His Grid bandmate from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".
"Being in a duo with someone is distinct from joining a band, the connection is very tight," he continued.
"That was the case with us. We went through so many extraordinary, extraordinary, life-affirming moments together. Thank you, Dave."
Brought into the world into a single-parent household in Chester in 1959, Ball was given up for adoption when he was a year and a half of age.
He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who changed his given name from Paul to his adopted name, together with his younger sister Susan, who was also adopted.
He met Almond at an art college in 1977, where they were both learning art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.
The pair were an distinctive combination: Ball was the reserved technician, hunched over his keyboard, while Almond was a charismatic performer, all sparkle and eye-liner; but they attained a rare musical alchemy.
Ball had cultivated a fascination with electronic instruments after watching the band Kraftwerk appear on a television program a popular series, and began to combine dark electronica to the soaring melodies Almond was composing.
Their signature song became the UK's second biggest-selling single of 1981, shifting 21 million units worldwide. Alongside hits by Gary Numan, contemporary bands and Ultravox, it helped cleared the way for the electronic music style of the 1980s.
The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.
They followed the album up with the stand-alone single, Torch, which peaked at the second position in the following year.
Fame had its benefits. "I loved being able to purchase my first home, having money and travelling, which makes me sound like a beauty queen," Ball not long ago shared with a music magazine.
But it also caused problems. "Newfound wealth meant we could purchase newfound drugs to relieve the monotony" of media interviews and television shows, Ball said.
"I realize that's a common saying, but it's a truism for a valid cause, because it works for so many bands."
During the party-filled existence, the pair were also drifting apart, but they succeeded to create a follow-up classic album - the unconventional, edgy and aptly-titled The Art Of Falling Apart.
They put out another album, 1984's This Last Night In Sodom, before ending the band to concentrate on other projects.
Almond proceeded to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a enduring collaboration.
Soft Cell reunited in the early 2000s, releasing the charting record Cruelty Without Beauty.
After another hiatus, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on 30 September, 2018.
However, they remained active, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.
Ball recently described the band's new album as a homage to the New York club scene they visited while making their initial records.
He noted that his period in hospital had influenced the band's sound.
"I had unusual memories when I was coming and going of the hospital because I was on morphine," he told a music magazine.
"Our latest tracks are a electronic representation of the noises in my mind from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 80s."
The final mixes were completed only days before Ball passed away. It is due for launch in the spring of 2026.
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